Michael Supnick - cornet, trombone, voice Gianni Sanjust - Clarinet Michele Pavese - tromb
Michael Supnick - cornet, trombone, voice Gianni Sanjust - Clarinet Michele Pavese - trombone, leader Adriano Urso - piano Guido Giacomini - bass Sante Isgro - drums http://www.michaelsupnick.com/michelepavese.html http://www.cambiamusica.it
Theme song "Hello, Dolly!". Musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955.
Hello, Dolly! was first produced on Broadway by David Merrick in 1964, winning the Tony Award for Best Musical and nine other Tonys. The show album Hello, Dolly! An Original Cast Recording was inducted in the Grammy Hall of Fame in 2002. The show has become one of the most enduring musical theatre hits, enjoying three Broadway revivals and international success. It was also made into a 1969 film that was nominated for seven Academy Awards.
http://theatre.wikia.com/wiki/Hello_Dolly%21
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Michael Supnick (cornet), Lino Patruno (guitar and leader), Adriano Urso Michael Supnick (
Michael Supnick (cornet), Lino Patruno (guitar and leader), Adriano Urso Michael Supnick (cornet), Lino Patruno (guitar and leader), Adriano Urso (piano), Guido Giacomini (bass), Gianluca Perasole (drums).
http://www.linopatruno.it
http://www.cambiamusica.it
http://www.michaelsupnick.com
"When You're Smiling" is a song by Shay, Fisher, and Goodwin, and made famous by Louis Armstrong, who recorded it at least three times, in 1929, 1932, and 1956.
Many other recordings exist, for example Studies in Swing No.3.
It was adopted by Leicester City F.C. as the club anthem, and can be heard at many of the team's games.
http://en.wikipedia.org/wiki/When_You're_Smiling
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Added: 5 months ago
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Larry Franco: pianoforte e voce
Michael Supnick: tromba e trombone
Michele Carrabba: s
Larry Franco: pianoforte e voce
Michael Supnick: tromba e trombone
Michele Carrabba: sax tenore e soprano
Giacomo Desiante: fisarmonica e trombone
Ilario De Marinis: contrabbasso
Enzo Lanzo: batteria e washboard
http://www.larryfranco.it
http://www.cambiamusica.it
http://www.michaelsupnick.com
"Mack the Knife" or "The Ballad of Mack the Knife", originally "Die Moritat von Mackie Messer", is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama Die Dreigroschenoper, or, as it is known in English, The Threepenny Opera. It premiered in Berlin in 1928. The song has become a popular standard.
A moritat is a medieval version of the murder ballad performed by strolling minstrels, from mori meaning "deadly" and tat meaning "deed". In The Threepenny Opera, the moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay's The Beggar's Opera. The Brecht-Weill version of the character was far more cruel and sinister, and has been transformed into a modern anti-hero.
The opera opens with the moritat singer comparing Macheath (unfavorably) with a shark, and then telling tales of his robberies, murders, rapes, and arson.
"Mack the Knife" was introduced to the U.S. hit parade by Louis Armstrong in 1954, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, NYC, December 19, 1958 (with Tom Dowd engineering the recording). In 1959 Darin's version reached number one on Billboard's Hot 100 and number six on the Black Singles chart, earned him a Grammy Award for Record of the Year.
Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it wouldn't appeal to the rock & roll audience. To this day, Clark recounts the story with good humor. Frank Sinatra, who recorded the song with Dean Martin, called Darin's the "definitive" version. On Radio 4's Desert Island Discs, pop mogul Simon Cowell named "Mack the Knife" the best song ever written. In 2003, the Darin version was ranked #251 on Rolling Stone's 500 Greatest Songs of All Time list.
Ella Fitzgerald made a famous live recording in 1960 (released on Ella in Berlin: Mack the Knife) in which, after forgetting the lyrics after the first verse, she successfully improvised new lyrics in a performance that earned her a Grammy. Robbie Williams also recorded the song on his 2001 album Swing When You're Winning. Other notable versions of "Mack the Knife" include performances by Jimmie Dale Gilmore, Tony Bennett, Marianne Faithfull, Nick Cave, Emma Pask and James Morrison, Brian Setzer, Westlife, Merrill Osmond, Kenny Garrett, Kevin Spacey, and Michael Bublé. Swiss band The Young Gods radically reworked the song and gave it industrial flavour, while jazz legend Sonny Rollins recorded an instrumental version entitled simply "Moritat" in 1956. A 1959 instrumental performance by Bill Haley & His Comets was the final song the group recorded for Decca Records. Tito Puente has also recorded an instrumental version. Salsa musician Rubén Blades recorded an homage entitled "Pedro Navaja" and spanish singer Miguel Rios made a Big Band version called "Mackie el navaja" (Mack the Knife) in 1998.
http://en.wikipedia.org/wiki/Mack_the_Knife
Mack the Knife (nell'originale in lingua tedesca Die Moritat von Mackie Messer) è il titolo di una canzone con musiche del compositore Kurt Weill su testo Bertolt Brecht. Fu scritta nel 1928.
Fu inserita solo l'anno successivo 1929 all'interno della commedia satirica L'opera da tre soldi (Die Dreigroschenoper).
Nel 1954 il brano venne tradotto in lingua inglese da Marc Blitzstein e portato al successo da cantanti come Louis Armstrong e Bobby Darin, in una particolare cover in chiave swing.
Nel 1960 Ella Fitzgerald, durante un concerto a Berlino, ad un certo punto della canzone dimenticò le parole del testo e fu costretta a improvvisare. La performance venne giudicata talmente riuscita da far guadagnare all'artista un Grammy Award.
Il brano di Weill-Brecht è divenuto uno standard jazz/swing fino ad entrare stabilmente nel repertorio di Frank Sinatra, e tanto da essere interpretato da nomi come Tony Bennett, Marianne Faithfull, Sting, Nick Cave, Brian Setzer, Kenny Garrett, Robbie Williams e Michael Bublé.
Il brano è stato registrato anche dal sassofonista Sonny Rollins nel 1956 nell' LP Saxophone Colossus, col titolo di Moritat.
http://it.wikipedia.org/wiki/Mack_the_Knife
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Diretta da Michael Supnick - showman, cantante, e multi strumentista. Il gruppo ha la prer
Diretta da Michael Supnick - showman, cantante, e multi strumentista. Il gruppo ha la prerogativa di intrattenere, coinvolgere e divertire il pubblico con musica e spettacolo. La SWEETWATER JAZZ BAND, dedicata a Louis Armstrong, si ispira allo stile delle piccole orchestre che si incontravano nelle strade di New Orleans. Queste parate musicali, le "street parade", venivano utilizzate per le feste pubbliche come il Mardì Gras, per le manifestazioni, i matrimoni, e a scopo pubblicitario: l'arrivo o la partenza di un battello, campagne elettorali, o l'apertura di un nuovo locale.
L'orchestra, fondata nel 1996 da Michael Supnick, è ormai nota nei locali romani con il suo seguito di appassionati. Il suo primo CD è uscito nel settembre del 1997. Ha partecipato a numerose manifestazioni pubbliche e private in tutta l'Italia, ed anche a scopo sociale.
Michael Supnick - cornet, trombone, voice
Sebastiano Forti - saxes, clarinet, voice
Sergio Piccarozzi - banjo
Gino Zofrea - tuba
Nick Mandarino - drums
http://www.cambiamusica.it
http://www.michaelsupnick.com
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Added: 5 months ago
Views: 1,555
Michael Supnick - voce, trombone, tromba Arturo Valiante - pianoforte Andrea Pintucci - co
Michael Supnick - voce, trombone, tromba Arturo Valiante - pianoforte Andrea Pintucci - contrabbasso Illustazioni - Francesco Chiacchio 20/4/2007 Perugia, Teatro del Pavone
http://www.cambiamusica.it
http://www.michaelsupnick.com
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Added: 5 months ago
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LINO PATRUNO JAZZ SHOW feat. DAN BARRETT
Dan Barrett (cornet), Michael Supnick (trombone)
LINO PATRUNO JAZZ SHOW feat. DAN BARRETT
Dan Barrett (cornet), Michael Supnick (trombone), Charley Hoellering (clarinet), Jim Galloway (soprano sax), Luca Velotti (tenor sax), Lino Patruno (guitar), Thilo Wagner (piano), Guido Giacomini (bass), Giampaolo Biagi (drums).
Ascona (Switzerland), July 2002
http://www.linopatruno.it
http://www.cambiamusica.it
http://www.michaelsupnick.com
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Added: 4 months ago
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SWEETWATER JAZZ BAND
Led by Michael Supnick - showman, instrumentalist, crooner.
The g
SWEETWATER JAZZ BAND
Led by Michael Supnick - showman, instrumentalist, crooner.
The group was formed with the idea to combine entertainment and amusement,
with good quality New Orleans style jazz. SWEETWATER JAZZ BAND, dedicated to Louis Armstrong, inspired by the small street bands of New Orleans. These "street parades", were used for public celebrations like Mardì Gras, for the manifestations, wedding ceremonies, and advertising purposes: the arrival or departure of a riverboat, before a politician's electoral speech, or for the opening of a new store or business.
The Sweetwater, founded in 1996 by Michael Supnick, is now well-known to roman audiences. Their first CD dates back to 1997. The group have participated in numerous concerts, jazz festivals, and private parties all over Italy.
Michael Supnick - cornet, trombone, voice
Sebastiano Forti - saxes, clarinet, voice
Sergio Piccarozzi - banjo
"Bruto" D'Amore - tuba
Nick Mandarino - drums
Realization and editing by Antonio Parisi adservice@tiscali.it
http://www.cambiamusica.it
http://www.michaelsupnick.com
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Added: 5 months ago
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Don't Get Around Much Anymore, In My Solitude, Satin Doll, Sophisticated Lady, Take The "
Don't Get Around Much Anymore, In My Solitude, Satin Doll, Sophisticated Lady, Take The "A" Train
San Marino, 1995
Conductor: Marco Renzi
Trumpets:
Dino Tonelli
Tonino Farallo
Cesare Ficcadenti
Fabrizio Bosso
Leonardo De Carolis
Luca Falcone
Trombones:
Michael Supnick
Guglielmo Palazzese
Marcello Scarpetti
Simone Bartolacci
Tino D'Angelo
Saxophones:
Bepi D'Amato
Gabriele Semplicino
Gianluca Caporale
Pierpaolo Pecoriello
Walter Nicodemi
Rhythm section:
Mauro De Federicis - guitar Massimiliano Caporale - piano Roberto
Della Vecchia - bass
Massimo Di Rocco - drums
http://www.cambiamusica.it
http://www.michaelsupnick.com
Edward Kennedy "Duke" Ellington(April 29, 1899--May 24, 1974) was an American composer, pianist, and band leader who was one of the most influential figures in jazz, if not in all American music. As a composer and a band leader, Ellington's reputation has increased since his death, with thematic repackagings of his signature music often becoming best-sellers. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.
Ellington called his style and sound "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category", including many of the musicians who served with his orchestra, some of whom were themselves considered among the giants of jazz and remained with Ellington's orchestra for decades. While many were noteworthy in their own right, it was Ellington that melded them into one of the most well-known orchestral units in the history of jazz. He often composed specifically for the style and skills of these individuals, such as "Jeep's Blues" for Johnny Hodges, "Concerto for Cootie" ("Do Nothing Till You Hear from Me") for Cootie Williams and "The Mooche" for Tricky Sam Nanton. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan" and "Perdido" which brought the "Spanish Tinge" to big-band jazz. After 1941, he frequently collaborated with composer-arranger Billy Strayhorn, who he called his alter-ego.
One of the twentieth century's best-known African-American celebrities, Ellington recorded for many American record companies, and appeared in several films. Ellington and his orchestra toured the United States and Europe regularly before and after World War II. Ellington led his band from 1923 until his death in 1974. His son Mercer Ellington took over the band until his death in 1996. Today the band performs under the direction of Barry Lee Hall, Jr.
http://en.wikipedia.org/wiki/Duke_Ellington
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Added: 5 months ago
Views: 830
Lino Patruno Jazz Show
Special guest: Renzo Arbore
Michael Supnick (cornet), Gianni S
Lino Patruno Jazz Show
Special guest: Renzo Arbore
Michael Supnick (cornet), Gianni Sanjust (clarinet), Alberto Collatina (trombone), Lino Patruno (guitar and leader), Adriano Urso (piano), Guido Giacomini (bass), Gianluca Perasole (drums).
http://www.linopatruno.it
http://www.cambiamusica.it
http://www.michaelsupnick.com
Lorenzo "Renzo" Giovanni Arbore (Foggia, 24 giugno 1937) è un cantante, regista, attore e showman italiano.
Dopo essersi laureato in giurisprudenza a Napoli, cominciò a distinguersi proprio a Foggia, nella storica Taverna del Gufo nel centro storico e nei pressi di Via Arpi.
Nella sua poliedrica attività ha riscosso successi in vari campi: bravo musicista e cantante con la sua Orchestra Italiana, conduttore radiofonico e televisivo - restano memorabili le trasmissioni radiofoniche, presentate insieme a Gianni Boncompagni: Bandiera gialla (1965), Per voi giovani (1967), Alto Gradimento (1970) e televisive: Speciale per voi (1969-1970), una specie di processo ai cantanti del periodo, L'altra domenica (1976-1979), il suo primo vero successo in cui creò uno stile alternativo in diretta concorrenza con la coetanea Domenica in di Corrado, Quelli della notte (1985), Indietro tutta! (1988) e la recente Speciale per me - meno siamo meglio stiamo (2005). È stato anche attore e regista cinematografico.
Ha avuto il merito di scoprire e lanciare nuovi personaggi fra i quali Roberto Benigni, Gegé Telesforo, Giorgio Bracardi, Mario Marenco, Marisa Laurito, Nino Frassica, Milly Carlucci, e valorizzarne altri come Michele Mirabella e Luciano De Crescenzo.
Le sue esperienze nel mondo musicale iniziano nel 1972, con la "N.U. Orleans Rubbish Band" (dove le lettere puntate stanno per "Nettezza Urbana"), che era composta, oltre che dallo stesso Arbore al clarino, da Fabrizio Zampa alla batteria, Mauro Chiari al basso, Massimo Catalano al trombone e Franco Bracardi al piano; questo gruppo pubblicò un 45 giri, contenente "She was not an angel" e "The stage boy", inciso per gioco dai cinque.
Nel 1991 ha fondato l'Orchestra Italiana, con quindici grandi solisti per valorizzare la canzone napoletana classica restituendo dignità, tra l'altro, al mandolino.
http://it.wikipedia.org/wiki/Renzo_Arbore
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