Graff Bombing...click..
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The Golden Age of Graffiti
Graff Bombing...click..
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The Golden Age of Graffiti took place in New York City from about 1974 -- 1984 on the N.Y.C Subway system, then from around
the mid 80's to the late 90's on the N.Y.C Streets,(Store front gates, trucks, vans, and mainly walls , roof-tops and anything that can be seen from the subway lines.
It was influenced by early writers who picked a "tag" and added a number such as their street. For example, "BASS167".
During the time, New York City was the only place that was getting "hit" so much. Graffiti writers mainly expressed their talents on the subway system because the subway train could transport their name from one end of the city to the other. By mid 1972 all 6,000+ subway cars, according to The New York Times, had graffiti on them. The goal of many writers was to go "All City" or hit each subway line. However, in the 1980s, the MTA began to spend more money cleaning trains, encouraging store owners to lock up their spray paint to prevent shoplifting, protecting train yards, and with the beginning of the crack cocaine epidemic during around 1984, the movement began to fade away as violence became more common and places became more territorial to certain crews. Also, spray paint was required to be locked up in stores under a new law established in 1985. The original painted silver canvases on trains became red which was undesirable to write on and older cars were replaced with new stainless steel cars which could be cleaned easily to perfection. Cleaning or "buffing" was also becoming more common on the subways. By 1989 the subway system was clean. Basicly ALL Writers Started hitting the streets heavily. Anything around the subway lines that can be seen from the subway platform or the subway tracks where the train passes was covered with Graffiti.
After that "Street Bombing" became like an epidemic as writers began throwing there names up in the streets.
By the 1990's the streets still had a lot of graffiti though, but after the late '90s alot of it was cleaned up. New York has never been "bombed" with as much graffiti as it used to since then and probably never ever will be. However, by the time the graffiti movement pretty much died out in New York City it had already spread to the rest of the world!!!!
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All video/audio editing done by "Mrdutch730"
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Music by:
Artist: ( Rare Arts Feat. Flex. )
Song name: ( Boriqua Posse. )
Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property.
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
Also taking place during this era was the movement from outside on the city streets to the subways. Graffiti also saw its first seeds of competition around this time. The goal of most artists at this point was called "getting up" and involved having as many tags and bombs in as many places as possible. Artists began to break into subway yards in order to hit as many trains as they could with a lower risk, often creating larger elaborate pieces of art along the subway car sides. This is when the act of bombing was said to be officially established.
Clean Train Movement era
The current era in graffiti is characterized by a majority of graffiti artists moving from subway or train cars to "street galleries." The Clean Train Movement started in May, 1989, when New York attempted to remove all of the subway cars found with graffiti on them out of the transit system. Because of this, many graffiti artists had to resort to new ways to express themselves. Much controversy arose among the streets debating whether graffiti should be considered an actual form of art.
BASS 167 bass bass167 BASS167
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COPE2:
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Video Music"
#1- JR Writer - Grill em
#2-
COPE2:
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Video Music"
#1- JR Writer - Grill em
#2- Jayz - Kingdome Come
#3- 50 cents - Window Shopper
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(COPE2 South Bronx, New York) is a graffiti artist from the South Bronx. Though he is known worldwide, he did not receive a lot attention in the graffiti world until the 1990s. He has been painting since 1981, and has gained international credit for his work. He and his crew "Kings Destroy" (formerly "Kids Destroy," or simply KD) are the main focus of the influential graffiti movie "Kings Destroy". Cope2 has been one of the main targets of the New York City Vandal Squad and has been arrested for vandalism, theft and drug charges. The arrest followed his recent success in releasing a 272 page book of his work titled "Cope 2: True Legend" Cope2 started writing graffiti around 1980, his cousin Chico 80 introduced Cope into writing and it ran in the family. He made his own crew called Kids Destroy and eventually it changed to Kings Destroy after he was the king of the 4 line.
Some of Cope2's initial commercial artwork has been sold on the Christie's auction block for $1,000(USD) per painting. Early work includes cover art for a Boogie Down Productions album titled "Sex and Violence."
WANT MORE GRAFF LEGENDS? CLICK...
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More recently Cope2 has appeared in Marc Ecko's 2006 video game, Marc Ecko's Getting Up: Contents Under Pressure. As one of the "graffiti legends", your character takes a photograph of Cope2's work, shortly before Cope2 himself arrives and teaches your character how to write throwups on trains. Before the release of the game, Cope2 called a local Councilman, Peter Vallone Jr., to complain about the shutting down of a publicity event for the title. The event, coordinated by Mark Ecko, called for the spray painting of vintage train cars during a block party celebrating Graffiti and Hiphop culture. Vallone is noted as saying he was responsible for having the permit pulled for the event. Vallone is quoted as calling Cope2 a "punk." It is said this confrontation sparked the interest of Time Magazine in the artist. The event permit was later reissued as judge Jed S. Rakoff of the Federal District Court in Manhattan over turned the previous ruling on grounds of freedom of speech.
Time Magazine commissioned Cope2, for $20,000(USD), to paint a billboard ad in the SoHo district of Manhattan, New York on Houston and Wooster. The ad depicts the magazines cover with graffiti tags scrawled over it, the text reads "Post-Modernism? Neo-Expressionism? Just Vandalism? Time. Know why"
Cope2 has designed a pair of sneakers for Converse under the "Chuck Taylor All-Stars" line his throw up recently appeared on a wall in the movie "Shrek The Third". Cope2 is one of the most known users of WILDSTYLE and is also known for his bubble letters.
Bombing legends...
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NYC graff bombing legends...CLICK...
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Alot of "ADDED" footage....
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1999 Footage and 2008 footage mix.
-Music by: Lil Wayne, fireman'
Modern graffiti is often seen as having become intertwined with Hip-Hop culture as one of the four main elements of the culture (along with the Master of ceremony, the disc jockey, and break dancing), through Hollywood movies such as Wild Style. However, modern (twentieth century) graffiti predates hip hop by almost a decade and has its own culture, complete with its own unique style and slang.
For example, one of the most popular graffitos of the 1970s was the legend "Dick Nixon Before He Dicks You," reflecting the hostility of the youth culture to that U.S. president. The belief that graffiti and hip-hop are related arises from the fact that some graffiti artists enjoyed the other three aspects of hip-hop, and that it was mainly practiced in areas where the other three elements of hip-hop were evolving as art forms. Graffiti is recognized as a visual expression of the rap music of the decade, as breakdancing is the physical expression. In addition, graffiti became associated with the anti-establishment punk rock movement of the 1970s, with such bands as Black Flag and Crass stenciling to gain notoriety, thus bringing it into punk culture.
Graffiti artists sometimes choose nicknames or "tags." Tags need to be quick to write, so they are often no more than 3 to 5 characters in length.
GRAFF BOMBING...
http://www.youtube.com/xMrdutch730x
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
http://www.youtube.com/xMrdutch730x
Dwayne Michael Carter, Jr. (born September 27, 1982 in New Orleans, Louisiana, United States), better known by his stage name Lil Wayne, is an American rapper. He met the Cash Money Records collective as a teenager and eventually recorded for the label. He was a member of the rap group, Hot Boys.
In 1997, Wayne formed the group Hot Boys along with rappers Juvenile, Turk, and B.G., who released their debut CD Get It How You Live that year. In 1998, the group's major-label debut Guerrilla Warfare was released; it was followed in 2003 by Let Em Burn.
His solo career began with The Block is Hot in 1999. After releasing the albums Lights Out in 2000 and 500 Degreez in 2002 to little success, in 2004 he released the bestseller Tha Carter and eventually was featured in the popular song "Soldier" by the R&B group Destiny's Child. Tha Carter II followed in 2005.
In 2006, he collaborated with rapper Birdman for the album Like Father, Like Son. He later featured on Fat Joe's single "Make it Rain" that year. In 2007, he also appeared on the R&B single "You" by singer Lloyd, among 864 recording appearances and verses he recorded that year alone.
In 2007, an MTV poll selected Lil Wayne as 'Hottest MC in the Game.' The same year, he was named one of the "Men Of The Year" for Workaholic by GQ Magazine, and in 2008 he was named "Best Rock Star Alive" by Blender Magazine. In Rolling Stone's Best of Rock 2008 issue, Wayne was named the "Best MC".
In 2008, he released the first single from his upcoming Tha Carter III album, entitled "Lollipop", which would bring him a level of commercial success he had never before seen: going on to become his first number one single on the Billboard Hot 100.
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BASS 167 bass bass167 BASS167 1999 - 2008
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GRAFF BOMBS!!!
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GRAFF BOMBS....
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Video Features These Writers
GRAFF BOMBING PAGE...
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Video Features These Writers:
DUEL TYKE TIKE KAYSLAY KEEPS RYNO LOUIE167 SI SENTWO PSYCHO SEEN SABE CINIK POSTA MYZER MUTZ LEE DG ASP DEZ BONER 2ESAE BRAN EAD 9VOLT BRUZ COPE2 CHINO GS BANTWO ADER DECI JA INDIE VE EARSNOT TEO LIONS MX ECHO SP MISS17 SERF VFR NOXER REMO RUSH SPOT SETUP SA KUMA KET MENOS NATO JEE KEZ5 DRO LEFT AND MORE...
Put together by: Mrdutch730
Street art is any art developed in public spaces that is, "in the streets" though the term usually refers to art of an illicit nature, as opposed to government sponsored initiatives.
NEW YORK CITY BOMBS...
http://www.youtube.com/xMrdutch730x
The term can include traditional graffiti artwork, stencil graffiti, sticker art, street-Bombing, wheatpasting and street poster art, video projection, art intervention, and street installations. Typically, Street Art is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corp art.
(COPE2 South Bronx, New York) is a graffiti artist from the South Bronx. Though he is known worldwide, he did not receive a lot attention in the graffiti world until the 1990s. He has been painting since 1981, and has gained international credit for his work. He and his crew "Kings Destroy" (formerly "Kids Destroy," or simply KD) are the main focus of the influential graffiti movie "Kings Destroy". Cope2 has been one of the main targets of the New York City Vandal Squad and has been arrested for vandalism, theft and drug charges. The arrest followed his recent success in releasing a 272 page book of his work titled "Cope 2: True Legend" Cope2 started writing graffiti around 1980, his cousin Chico 80 introduced Cope into writing and it ran in the family. He made his own crew called Kids Destroy and eventually it changed to Kings Destroy after he was the king of the 4 line.
Some of Cope2's initial commercial artwork has been sold on the Christie's auction block for $1,000(USD) per painting. Early work includes cover art for a Boogie Down Productions album titled "Sex and Violence."
BOMBING...
http://www.youtube.com/xMrdutch730x
BOMBING....
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Richard Mirando, known as Seen, born 1961 in The Bron
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Richard Mirando, known as Seen, born 1961 in The Bronx, New York, is one of the most famous American graffiti-artists, often referred as the godfather of graffiti.
He started to paint on New York's subway in 1973. After the mid-1980s, Seen became known mostly as a tattoo artist, though he has somewhat retired from this profession in 1994, still owning his tatoo shop. His trans-continental crew "United Artists" (or simply UA) has gained great reputation around the world. Considered the godfather of graffiti by many of today's graffiti artists. He is now concentrating on three dimensional sculpture and a series of vinyl collectible figures. Seen often collaborated with other street artists of his time including Duster, P Jay, Mitchs, and his brother Mad. He appears in many graffiti movies and books, most significantly in Style Wars and Subway Art.
Features a few pics of RICHIE,PSYCHO,APACHE.
Video Credits: MrDutch730, Tanmancoop.
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Video Music:
#1- Song: New Shoes Artist: Paolo Nutini
#2- Dead or Alive. (Chris Daughtry)
#3- Right here Right now. (FatBoy Slim)
Clean Train Movement era
The current era in graffiti is characterized by a majority of graffiti artists moving from subway or train cars to "street galleries." The Clean Train Movement started in May, 1989, when New York attempted to remove all of the subway cars found with graffiti on them out of the transit system. Because of this, many graffiti artists had to resort to new ways to express themselves. Much controversy arose among the streets debating whether graffiti should be considered an actual form of art.
During this period many graffiti artists had taken to displaying their works in galleries and owning their own studios. This practice started in the early 1980s with artists such as Jean-Michel Basquiat, who started out tagging locations with his signature SAMO (Same Old Shit), and Keith Haring, who was also able to take his art into studio spaces.
"MORE NYC GRAFF BOMBING LEGENDS....CLICK..
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In some cases, graffiti artists had achieved such elaborate graffiti (especially those done in memory of a deceased person) on storefront gates that shopkeepers have hesitated to cover them up. In the Bronx after the death of rapper Big Pun, several murals dedicated to his life appeared virtually overnight;similar outpourings occurred after the deaths of The Notorious B.I.G., Tupac Shakur, Big L, and Jam Master Jay. Princess Diana and Mother Teresa were also memorialised this way in New York City.
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
NEW YORK CITY GRAFF LEGENDS...
http://www.youtube.com/xMrdutch730x
Also taking place during this era was the movement from outside on the city streets to the subways. Graffiti also saw its first seeds of competition around this time. The goal of most artists at this point was called "getting up" and involved having as many tags and bombs in as many places as possible. Artists began to break into subway yards in order to hit as many trains as they could with a lower risk, often creating larger elaborate pieces of art along the subway car sides. This is when the act of bombing was said to be officially established.
GRAFF BOMBING.
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GRAFF BOMBING.
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-Features: SEEN QUIK CAP TRACY168 SKEME CLIFF159 C
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-Features: SEEN QUIK CAP TRACY168 SKEME CLIFF159 CAY161 TAKI183 STITCH AGEE SUPERCOOL RAT73 MOUSIE89 SNAKE JUNIOR161 EVA62 COCO144 JOE182 COMET BILLY167 PHAZE2 AJAX ALE VAMM GHOST FUTURA IZ KET MAD PSYCHO DONDI
http://www.12ozprophet.com
http://www.12ozprophet.com/index.php/psycho_love/
Video song: Herbie Hancock "Rock it"
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Editing by: Mrdutch730
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
Street art is any art developed in public spaces that is, "in the streets" though the term usually refers to art of an illicit nature, as opposed to government sponsored initiatives.
The term can include traditional graffiti artwork, stencil graffiti, sticker art, street-Bombing, wheatpasting and street poster art, video projection, art intervention, and street installations. Typically, Street Art is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.
The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.
"Rockit" is a hit song recorded by Herbie Hancock. It was released as a single from his 1983 album Future Shock. The song was written by Hancock, bass guitarist Bill Laswell and synthesizer/drum machine programmer Michael Beinhorn.
Constructed and composed during the recording process at various studios, including Martin Bisi's in Brooklyn NY, "Rockit" was perhaps the first popular single to feature scratching and other turntablist techniques, performed by Grand Mixer DXT - an influential DJ in the early years of turntablism - using turntables as a musical instrument. Many later turntablists have cited "Rockit" as revelatory, inspiring their interest in the instrument.
The single was a major radio hit in the United Kingdom but more of an underground hit in the United States. The humorous music video, directed by duo Godley & Creme and featuring robot-like sculptures (by Jim Whiting) moving in time to the music, was among the earliest videos to feature African Americans on MTV and garnered five MTV Video Music Awards in 1984, including Best Concept Video and Best Special Effects. Hancock himself appears and plays keyboard only as an image on a television, which is smashed on the sidewalk in the closing shot.
In 1985 at the Grammy Awards, Hancock performed "Rockit" in a synthesizer jam which also featured Thomas Dolby, Howard Jones and Stevie Wonder.
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(COPE2 South Bronx, New
More State Your Name...
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(COPE2 South Bronx, New York) is a graffiti artist from the South Bronx. Though he is known worldwide, he did not receive a lot attention in the graffiti world until the 1990s. He has been painting since 1981, and has gained international credit for his work. He and his crew "Kings Destroy" (formerly "Kids Destroy," or simply KD) are the main focus of the influential graffiti movie "Kings Destroy". Cope2 has been one of the main targets of the New York City Vandal Squad and has been arrested for vandalism, theft and drug charges. The arrest followed his recent success in releasing a 272 page book of his work titled "Cope 2: True Legend" Cope2 started writing graffiti around 1980, his cousin Chico 80 introduced Cope into writing and it ran in the family. He made his own crew called Kids Destroy and eventually it changed to Kings Destroy after he was the king of the 4 line.
Some of Cope2's initial commercial artwork has been sold on the Christie's auction block for $1,000(USD) per painting. Early work includes cover art for a Boogie Down Productions album titled "Sex and Violence."
More cope2 more skuf....
http://www.youtube.com/xMrdutch730x
More recently Cope2 has appeared in Marc Ecko's 2006 video game, Marc Ecko's Getting Up: Contents Under Pressure. As one of the "graffiti legends", your character takes a photograph of Cope2's work, shortly before Cope2 himself arrives and teaches your character how to write throwups on trains. Before the release of the game, Cope2 called a local Councilman, Peter Vallone Jr., to complain about the shutting down of a publicity event for the title. The event, coordinated by Mark Ecko, called for the spray painting of vintage train cars during a block party celebrating Graffiti and Hiphop culture. Vallone is noted as saying he was responsible for having the permit pulled for the event. Vallone is quoted as calling Cope2 a "punk." It is said this confrontation sparked the interest of Time Magazine in the artist. The event permit was later reissued as judge Jed S. Rakoff of the Federal District Court in Manhattan over turned the previous ruling on grounds of freedom of speech.
Time Magazine commissioned Cope2, for $20,000(USD), to paint a billboard ad in the SoHo district of Manhattan, New York on Houston and Wooster. The ad depicts the magazines cover with graffiti tags scrawled over it, the text reads "Post-Modernism? Neo-Expressionism? Just Vandalism? Time. Know why"
Cope2 has designed a pair of sneakers for Converse under the "Chuck Taylor All-Stars" line his throw up recently appeared on a wall in the movie "Shrek The Third". Cope2 is one of the most known users of WILDSTYLE and is also known for his bubble letters.
THE BEST GRAFF BOMBING PAGE...
http://www.youtube.com/xMrdutch730x
Music by:
#1- Terror squad fat joe lean back
#2- MOP Handle your business
#3- Sheek louch
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
Also taking place during this era was the movement from outside on the city streets to the subways. Graffiti also saw its first seeds of competition around this time. The goal of most artists at this point was called "getting up" and involved having as many tags and bombs in as many places as possible. Artists began to break into subway yards in order to hit as many trains as they could with a lower risk, often creating larger elaborate pieces of art along the subway car sides. This is when the act of bombing was said to be officially established.
http://www.youtube.com/xMrdutch730x
http://www.youtube.com/xMrdutch730x
http://www.youtube.com/xMrdutch730x
BOMBING///
BOMBING...
BOMBING...
http://www.youtube.com/xMrdutch730x
http://www.youtube.com/xMrdutch730x
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-I Put this compilation together with a bunch of DO
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-I Put this compilation together with a bunch of DOUG videos i have, If you like doug and all his graff videos, YOU GONNA LOVE THIS HOT JOINT I PUT TOGETHER !!!!
"ENJOY" !!!
Features: Surgen UAT
Music by:
#1- The Game WestSide
#2- The Game feat: Snoop, California Vacation.
-------------------------------------
ALL EDITING DONE BY ME MrDutch730.
http://www.youtube.com/xMrdutch730x
-------------------------------------
http://www.youtube.com/stompdown
Enjoy !!!
Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. Graffiti is often regarded by others as unsightly damage or unwanted vandalism.
Examples of graffiti styles
Ancient graffiti carved by pilgrims at Church of the Holy Sepulcher, Old City of Jerusalem Graffiti has existed since ancient times, with examples going back to Ancient Greece and the Roman Empire. Graffiti can be anything from simple scratch marks to elaborate wall paintings. In modern times, spray paint and markers have become the most commonly used materials. In most countries, defacing property with graffiti without the property owner's consent is considered vandalism, which is punishable by law. Sometimes graffiti is employed to communicate social and political messages. To some, it is an art form worthy of display in galleries and exhibitions. However, the public generally frowns upon "tags" that deface bus stops, trains, buildings, playgrounds and other public property.
Modern graffiti is often seen as having become intertwined with Hip-Hop culture as one of the four main elements of the culture (along with the Master of ceremony, the disc jockey, and break dancing), through Hollywood movies such as Wild Style. However, modern (twentieth century) graffiti predates hip hop by almost a decade and has its own culture, complete with its own unique style and slang.
For example, one of the most popular graffitos of the 1970s was the legend "Dick Nixon Before He Dicks You," reflecting the hostility of the youth culture to that U.S. president. The belief that graffiti and hip-hop are related arises from the fact that some graffiti artists enjoyed the other three aspects of hip-hop, and that it was mainly practiced in areas where the other three elements of hip-hop were evolving as art forms. Graffiti is recognized as a visual expression of the rap music of the decade, as breakdancing is the physical expression. In addition, graffiti became associated with the anti-establishment punk rock movement of the 1970s, with such bands as Black Flag and Crass stenciling to gain notoriety, thus bringing it into punk culture.
Graffiti artists sometimes choose nicknames or "tags." Tags need to be quick to write, so they are often no more than 3 to 5 characters in length.
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Features: NOVA FRESH SEME SINCE JEER4 SPEK DEE17 OVAL JUST 9VOLT DOCR GENIE HAZA KORN PUNCH LUK SIPHA NASE NEO CEEP JECKEL MISTA T Features: NOVA FRESH SEME SINCE JEER4 SPEK DEE17 OVAL JUST 9VOLT DOCR GENIE HAZA KORN PUNCH LUK SIPHA NASE NEO CEEP JECKEL MISTA TECH
(most these writers are from the bronx)
This is PART (2)TWO !!!!
Check out PART (1) ONE...CLICK..
http://www.youtube.com/watch?v=khsWcObhZy8
Enjoy !!!
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Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. Graffiti is often regarded by others as unsightly damage or unwanted vandalism.
Examples of graffiti styles
Ancient graffiti carved by pilgrims at Church of the Holy Sepulcher, Old City of Jerusalem Graffiti has existed since ancient times, with examples going back to Ancient Greece and the Roman Empire. Graffiti can be anything from simple scratch marks to elaborate wall paintings. In modern times, spray paint and markers have become the most commonly used materials. In most countries, defacing property with graffiti without the property owner's consent is considered vandalism, which is punishable by law. Sometimes graffiti is employed to communicate social and political messages. To some, it is an art form worthy of display in galleries and exhibitions. However, the public generally frowns upon "tags" that deface bus stops, trains, buildings, playgrounds and other public property.
Modern graffiti is often seen as having become intertwined with Hip-Hop culture as one of the four main elements of the culture (along with the Master of ceremony, the disc jockey, and break dancing), through Hollywood movies such as Wild Style. However, modern (twentieth century) graffiti predates hip hop by almost a decade and has its own culture, complete with its own unique style and slang.
For example, one of the most popular graffitos of the 1970s was the legend "Dick Nixon Before He Dicks You," reflecting the hostility of the youth culture to that U.S. president. The belief that graffiti and hip-hop are related arises from the fact that some graffiti artists enjoyed the other three aspects of hip-hop, and that it was mainly practiced in areas where the other three elements of hip-hop were evolving as art forms. Graffiti is recognized as a visual expression of the rap music of the decade, as breakdancing is the physical expression. In addition, graffiti became associated with the anti-establishment punk rock movement of the 1970s, with such bands as Black Flag and Crass stenciling to gain notoriety, thus bringing it into punk culture.
Graffiti artists sometimes choose nicknames or "tags." Tags need to be quick to write, so they are often no more than 3 to 5 characters in length.
Between the years of 1969-1974 the "pioneering era" took place. During this time graffiti underwent a change in styles and popularity. The city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals". Julio 204 is also credited as the first writer, but didn't get the fame that Taki received. TAKI 183 was the first artist to be recognised outside of the graffiti subculture, but wasn't the first artist. Other notable names from that time are: Stay High 149, Hondo 1, Phase 2, Stitch 1, SEEN,Bosik 1, Bolst 1, Kinks 2, Septik 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first known females to write graffiti.
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